Ebook Free Do You Dream in Color?: Insights from a Girl Without Sight, by Laurie Rubin

Ebook Free Do You Dream in Color?: Insights from a Girl Without Sight, by Laurie Rubin

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Do You Dream in Color?: Insights from a Girl Without Sight, by Laurie Rubin

Ebook Free Do You Dream in Color?: Insights from a Girl Without Sight, by Laurie Rubin

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Review

"Laurie Rubin shows that we need not be defined by what others may see as our limitations. With her remarkable approach to life and her extraordinary musical achievements, she is an inspiring example to all who are finding their way."—Katherine Damkohler, Executive Director, Education Through Music"I’ve never met Laurie Rubin, but her voice and spirit leap off the page of her riveting memoir. Despite all the obstacles and prejudice Rubin faced growing up blind, reading Do You Dream in Color? left me feeling that she’s had a charmed life. . .Art, love, family, and connectedness are the high notes Rubin hits again and again in this unusually inspiring life story.”—Elizabeth Benedict, author of Almost and The Practice of Deceit "Do You Dream in Color? shows the same clarity, honesty, and devotion that Laurie has always had with her art. A wonderful book."—Frederica von Stade, mezzo-soprano“Her book is riveting and readers will find themselves cheering for her victories and feeling her pain when peers and instructors dismiss her or treat her as if she is invisible or 'less-than' her sighted contemporaries.” —Jewish Book Council

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About the Author

Blind since birth, mezzo-soprano LAURIE RUBIN has been praised by New York Times chief classical music critic Anthony Tommasini for her "compelling artistry," "communicative power," and for a voice that possesses "earthy, rich and poignant qualities." Recent career highlights include her United Kingdom solo recital debut performance at Wigmore Hall in London and a solo recital at Carnegie Hall. Rubin’s numerous roles have included the part of Karen in The Rat Land by Gordon Beeferman with New York City Opera, Penelope in Monteverdi's The Return of Ulysses, and the title role in Rossini's La Cenerentola. She has recorded an album, Faith in Spring, with the renowned collaborative pianists Graham Johnson and David Wilkinson on the Opera Omnia label. Rubin is also the co-founder and associate artistic director of Ohana Arts, a performing arts school and festival in Hawaii, where she lives.

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Product details

Age Range: 12 and up

Grade Level: 7 and up

Paperback: 400 pages

Publisher: Triangle Square (October 23, 2012)

Language: English

ISBN-10: 9781609804244

ISBN-13: 978-1609804244

ASIN: 1609804244

Product Dimensions:

5.5 x 1.1 x 8 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#1,533,708 in Books (See Top 100 in Books)

How interesting can a book be written by someone just really getting into her career? She's an opera singer, for heaven's sake!!I actually know Ms. Rubin (I'm mentioned in the book) and I have always respected her greatly. Reading this raises my understanding and appreciation of her to a totally new plain.Her ability to capture vignettes of life vividly gives anyone a lesson in writing. Her ability to be candid - alternately self-deprecating and boldly assertive - makes this book a delightfuly read.If you think reading about the life and adventures of someone without sight is sure to be boring, I can only say that this book certainly is not. Whether describing the thrill of skiing down a hill or the clashing emotions of the first kiss, Laurie Rubin tells her story with clarity and humor, yet always moving us with the challenges she meets and conquers.It is a story worthy of the subtitle of her favorite opera: Virtue Triumphant.

This book is a must read if you are interested in any of the above facets of Laurie Rubin's personality. She was born blind, but was lucky enough to be raised in a family that believed she could accomplish anything she wanted to. So she has undertaken adventures throughout her life that might surprise anyone who doesn't know what blind people CAN do. She is very upfront about her blindness, her homosexuality, and her Jewishness, all of which is totally refreshing. You feel as though, if you were to meet her, you could ask her anything, and she would give you an honest answer. I was lucky enough to hear an interview with her by Terry Gross, on NPR, and to hear some samples of her singing -- she has an exquisite, glorious voice, and is musically sensitive enough to be able to accurately and beautifully express many different styles of music, from opera to Renaissance music, to modern music. Having read this book, I am excited to be able to follow her musical career, and I expect great things from her!

Most of the books I read are spiritual, mystical and esoteric.However I have been fortunate to know Laurie and her family at some point in my life.When her mother Lily informed me of Laurie's book I immediately pre-purchased it. When the book came in I read it from cover to cover in a very short time (unlike me). I truly enjoyed this book, the part where Brian was explaining the nodding of the head and the body movements just cracked me up. The writing is very good, I was totally in the life of Laurie. Congratulations Laurie, you're good! ;-) I was also very fortunate to have heard Laurie sing several times live and had watery eyes each time! Love and Light to you and yours Laurie ! Big hug from us in France <3 Marina and Alexandre

A beautiful, beautiful book. I'd reccomendnthis to anyone.

Laurie Rubin has written her autobiography -- growing up blind, a talented opera singer from a young age. She speaks candidly about the challenges she faced at every turn, revealing, without bitterness, the ignorance of her classmates, teachers, school administrators, professors...and more, towards the blind. A graduate student in Opera at Yale, the Opera Director couldn't figure out a way to cast Laurie in a full-length opera -- it could have done so easily...if there had been the will to do it!!! Laurie informs, entertains and educates in this, her first book. I highly recommend it!

After enjoying an evening with Ms. Rubin in Palm Springs, I was interested in hearing more of her story. Her live performance held at Palm Springs high school was filled not only with her beautiful voice, but anecdotal stories of her life. I found in Laurie's book the same joy, and the same emotions which moved me to laughter and to tears that evening in Palm Springs.

Laurie may not have sight but she is living a very insightful life. Her book has humor, great description and is very inspiring. She is a great talent in innumerable ways. I just sent her book to a 10 year old, a 36 year old and a 70 year old person for their birthdays. All of the recipients loved Laurie and her entertaining book. I recommend this wonderful story for all ages of readers..

I enjoyed the writing style, particularly the poems that introduced each section. I would rate this book as an autobiography rather than a novel or a piece of non- fiction. I can certainly admire this amazing woman and find it impossible to imagine the difficulties she overcame. I also feel that in some ways this was a story of bullying in our modern day understanding of the many forms of bullying: shunning, inappropriate avoidance, laughing behind one's back, mocking, etc.

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Download Ebook Dread Jesus

Download Ebook Dread Jesus

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Dread Jesus

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Product details

Paperback: 240 pages

Publisher: SPCK Publishing (October 28, 1998)

Language: English

ISBN-10: 0281051011

ISBN-13: 978-0281051014

Product Dimensions:

6.1 x 0.6 x 9.2 inches

Shipping Weight: 14.9 ounces (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#2,866,881 in Books (See Top 100 in Books)

This is the book that I have been waiting for, for a very a long time, so I can't really express my hapiness with it's existance.It is a must read for every Jesus Dread and others interested in the relationship between Rastafari and Christianity.The writer explores "Rastafarian Christology", by analysing many reggae songs, interviewing many known and lesser known Rastafarians, and studying the history of Rastafari.He finds out, that there are two main streams witin Rastafari, one is inspired by Hindu and esotherical teachings, while the other group is heading towards Christianity more and more, even to such an extend that brother William describes the possibility of a "Selassian Church", as a denomination next to Lutheran and the like.Well documented and thoroughly investigated, this book is blessed to be a good source for forming your own opinnion.I would reccommend it especially for those Christians that always were told, that all Rastafarians believe in Selassie as God, as it explains the various interpretations about Yesus Kristos that exist within the movement.Dread Jesus also contains a testimoney from sistren Judy Mowatt, former member of Bob Marley & the Wailer's backing trio "the I-Threes". You can read how she described the process in her life that made her come to the conclusion that Selassie is not Yesus Kristos, and some struggles and blessings that she has experienced during these times.This is one of the first Christian publications on Rastafari that does not contain the biast prejudice that you find so rampant in the Christian World. It's not yet another cheap description of a movement supposedly existing of weird herb smokers with long uncombed hair.Haile Selassie's Christianity is described and studied. His relationship with the evangelical world, where well known Christian Evangelist Billy Graham invited His Majesty to open a congress in Berlin in 1966, an invitation accepted by Haile Selassie.You can read portions of the speech that HIM held in front of 1000's of evangelical Christians, a speech not often quoted.Good for reading, good for studying, good for meditation, good for having as resource, I want to big up this book for it can be a blessing for all Jesus Dreads worldwide.

In the beginning I considered three stars and that the primary target readership would be non-RastafarI, to get merely informed, with however many shortcomings of this 1999 book. In that light, the book would have been rated more highly for RastafarI, as I-and-I would have seen through some non-overstandings of the book and actually gotten informed to a higher degree. As the book contragresses it becomes clear that the primary targets are Rastas I-n-Iselves after all - to get proselytized into churches. The book turns into a worse piece of anti-Rasta propaganda by the chapter and personally, I care for it as much as the lowest rating. However, having endured The Isis Papers: The Keys to the Colors recently, I should reserve that category for the indeed even much worse books with absolutely no shred of value whatsoever."Dread Jesus" does start somewhat promising for a non-authentic book, e.g. Rastas having corrected the first one to three chapters. Exactly: not the rest and that for a reason. The author avoids some of the usual mistakes and makes clear that Rastas may be of all skin colors, do not engage in dogmas and doctrines, but are everprogressing via reasonings and interviews some from outside Jamaica. Occasionally he's only descriptive, correcting some wrong assumptions afterwards.There are some factual errors. Many influences converged to the Rasta use of the term "Jah". It is NOT a mistaken abbreviation for "Jahwe", even though the relationship is obvious. Many Rastas are currently not aware of it either: The ancient African, Judaism-preceding terminology refers to Jah, the female version of Jahwe. For details read The Africans Who Wrote the Bible. The latter is also one of the many books providing REAL knowledge that I-Yasus/Jesus was Black, as "Dread Jesus" provides only pseudo-knowledge to discredit the claim of knowledge. I may add, the skin color is irrelevant other than in correcting colonial propaganda. Important is the overstanding that Iverybody is Black. Many suffer from collective amnesia and that's making them White. No wonder "Dread Jesus" still speculates wether "Adam and Eve" where Black. The CONCEPT is White, the first humans of course were Black, if those are really referred to.And now for the anti-Rasta propaganda hurled at Rastas. RastafarI would be derived from anything: Hinduism, Masonic Orders, German Rosicrucianism, Mormons, you name it, even a freaking UFO-sect link is averred. It is true that various branches of religion find their way to RastafarI and/or are partly compatible. Yet mostly not in the way and to the degree as described. Interesting is what the author omits: basically any African roots. He also forgets to mention that all of the supposed and real religious sources provided originate in Ancient Egyptian religion, which in turn is derived from Ethiopia.The unsuspecting reader will get their prejudices confirmed. Any Rasta sightings would be drug induced nonsense (even providing a Bible quote supposedly against ganja, omitting the one in favor), Rasta theology equalling heretic paganism and that Rastas can't even speak and think cohesively. The author contrasts his formal thesaurus-ridden writings with the EXACT reproduction of his taped interviews with Rastas. For those who don't know: No interview with stars or politicians you read in a magazine are the literal words. (In contrast: Speeches are usually read fluently.) Many half-sentences etc. are transformed into a readable condition. Not here! In addition, the author fails to explain Patois and doesn't even mention Iyaric (few examples of you are reading in this review). The latter makes the grammar APPEAR to be a mess, e.g. when exchanging grammatical "they" with political "them". Fascinating to follow the continuum of the quotes' presented coherency according to how much the author agrees. Which he does most with the converts to a church. These are then paternalizingly described as the most astute or articulate Rastas. The others have to get "gently explained" to or given a "wise program of kind, caring, sympathetic instruction".Dear William David Spencer, it isn't a matter wether you have integrated fancy words like "effervescing" in your active vocabulary, but wether your words mirror your mind. He is aware of that and uses selected standard Iyaric vocabulary like "overstand" and "downpress". Yet, he writes that two major streams "have come down" from RastafarI, which has moved "out of Christianity" etc. Almost funny is the very title of his book. Referring to I-Yasus with dreadlocks, he's actually headlining a catchy "Fear Jesus!". Or to be more precise: If you DREAD something which is going to happen or which may happen, you feel very unhappy and worried about it because you know or think that it will be very unpleasant. That's what the British-Jamaican slave buyers thought when catching a glimpse of the torture ships' cargo getting unloaded, resulting in the terms "dreadlocks". This author is still in dread today, dreading RastafarI philosophy, dreading "Jesus". Otherwise he wouldn't blind the Gnostic teachings of Christianity he is grossly misrepresenting. He would attempt to overstand I-Yasus' teachings better, the way many Rastas do. He wouldn't neglect the other standard Iyaric spelling of "RastafarI" with a capital I and Haile Selassie-I hyphenated to be pronounced not like a Roman numeral. For there's spirituality in the wording, like in "I-and-I".A spirituality, the author is combating with all his might. His book largely is concerned with the questions to Rastas: Is Haile Selassie-I Jesus? Is H.I.M. God? Is Jesus God? Can God be a human? Reducing the concepts to worst possible, anti-mystic overstandings. Not sighting the universal mystic knowledge that EVERYTHING is Jah/God. That includes Haile Selassie-I, I-Yasus, William David Spencer, I ("me"), the I ("you" the reader), and the chair the I is sitting on. The questions of above are to be answered in accordance to the awareness of the respective humans referred to and those asked and to the function/destiny the former are meant to fullfill. With that in mind it becomes perfectly clear why Haile Selassie-I made it to be known - like I-Yasus did - that salvation is not to be expected to come from any one separated savior/God, but via a part of the savior/God making I-n-I overstand that the I-n-I (they, the saviors) are I-n-I ("us") as well. Therefore the salvation lies in "ourselves", once all the artificial separations have been eliminated in the mind's constructs. The author neglects to mention the sign of Divinity's descent into the world Haile Selassie-I is usually displaying with his hands on photographs and curiously doesn't wonder about the SELF-GIVEN nature of the name "Might of the Holy Trinity", even though talking about it in general a lot. And whoever claimed, Haile Selassie-I sent the Ethiopian Tewahedo Church to Jamaica to teach RastafarI? Ever thought about a vice versa teaching? H.I.M. "mysteriously" reformed every level of society in Ethiopia, why should he leave out the Church? I am almost sure, the author is happy to hear that today the very necessary purpose of Haile Selassie-I's supposed fall from power and execution has been sighted. There isn't the saying "Jah works in mysterious ways" for nothing. If it wouldn't seem mysterious at the time it happens, it wouldn't have been necessary to happen. It is supposed to be overstood later. Which has become possible for I-n-I limited humans some 30 years later.Ironically, the author provides a lot of quotes from Haile Selassie-I, I-Yasus and RastafarI, but doesn't overstand them, otherwise he wouldn't attempt to use them as counter arguments. It isn't RastafarI who are ignorant to Haile Selassie-I as he claims, but he himself.For a universal mystic overstanding read The Mystical Journey from Jesus to Christ and From Science to God: A Physicist's Journey into the Mystery of Consciousness. Then you will learn that it doesn't matter, which branch of religion opens the door to Jah/God/the universe/etc., be it Gnostic or Sufi teachings, Vedanta philosophy of Hinduism, Maat, science,... or RastafarI. My upwise for the author is: Do not waste your mind with the colonial missionary stunt. Would you overstand the mysticism of your branch of religion, you wouldn't blind yourself to the egoistic (= unholy) idea of having to forcefeed your branch's myths and rituals into others' throats. For it becomes obvious that the author is also afraid that if the churches won't proselytize RastafarI, Muslims would win the race. It is insulting to get degraded to subjects to get fought over for assimilation. The author wants to proselytize RastafarI under the umbrella of the Council of Nicaea. What he's omitting is that this council also was the measure against any Gnostic variations (i.e. against the universal knowledge of Oneness), in fact, against anything else than the absolute dogmas of the ultra-hierarchical church. Following that council, severe persecutions of any individually varying overstanding were blank chequed for centuries. The superficial concessions made to Rastas here are to be seen in the shadow of the integration of any branch of religion into Church Christianity in order to control everything and to neutralize any potential philosophical threat. At least, the (other) church pastor author of From Garvey to Marley: Rastafari Theology (History of African-American Religions) respected RastafarI and didn't attempt to proselytize. "Dread Jesus" is even referencing The Ethiopian Tewahedo Church: An Integrally African Church and Rastafari: For the Healing of the Nation in a continuously misleading way.One last word: I am not impressed with any reggae star whatsoever "converting" into any church. I simply couldn't care less.

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Download PDF Shakespeare's Richard III for Kids: 3 Short Melodramatic Plays for 3 Group Sizes (Playing With Plays) (Volume 16), by Brendan P. Kelso

Download PDF Shakespeare's Richard III for Kids: 3 Short Melodramatic Plays for 3 Group Sizes (Playing With Plays) (Volume 16), by Brendan P. Kelso

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Product details

Age Range: 12 and up

Series: Playing With Plays (Book 16)

Paperback: 102 pages

Publisher: CreateSpace Independent Publishing Platform (March 18, 2017)

Language: English

ISBN-10: 1542334519

ISBN-13: 978-1542334518

Product Dimensions:

5.2 x 0.2 x 8 inches

Shipping Weight: 6.1 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,175,712 in Books (See Top 100 in Books)

My daughters (7 and 10) loved this version of Richard lll !!! It's a perfect way to introduce Shakespeare to a child. They enjoy the humor and I appreciate that the actual Shakespeare lines are highlighted so that we can discuss what Shakespeare was saying when he wrote those words. It is a great play and will make a Shakespeare lover out of your child!

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Shakespeare's Richard III for Kids: 3 Short Melodramatic Plays for 3 Group Sizes (Playing With Plays) (Volume 16), by Brendan P. Kelso PDF

Shakespeare's Richard III for Kids: 3 Short Melodramatic Plays for 3 Group Sizes (Playing With Plays) (Volume 16), by Brendan P. Kelso PDF

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